Haute Couture 2023: The Epitome of Fashion and Luxury
- TZE WEI CHIN
- 2023年6月24日
- 讀畢需時 5 分鐘
已更新:2023年7月20日
The world of haute couture is an ever-evolving realm of exquisite craftsmanship, innovative design, and unparalleled luxury. In this blog post, we delve into the mesmerizing world of Haute Couture 2023, exploring the latest trends, designers, and breathtaking creations that have graced the runways. From glamorous gowns to avant-garde ensembles, Haute Couture 2023 promises to captivate fashion enthusiasts and leave an indelible mark on the industry.
SPRING 2023 COUTURE FASHION COLLECTION
FENDIKim Jones' Fendi haute couture collection for spring and highlights his intention to create a sense of lightness and floatiness in contrast to the typically heavy and traditional nature of couture. The collection builds upon his previous work for the brand and responds to clients' requests for evening dresses.
Jones presents a discreetly modernized version of statuesque goddess dressing, featuring slim silhouettes in pale, ethereal colors, with a touch of '90s slip-dress sensibility. The craftsmanship and expertise of Fendi's ateliers are showcased through the creation of textures and fabrics that defy expectations. While fur is no longer shown on the runway, Jones incorporates embroidered cross-body stoles as a nod to the brand's heritage, while focusing on refining leather to mimic the appearance and drape of fabric.
The collection includes silvered dresses with printed lace-pattern overlays, which are actually made of leather decorated with scanned-in prints. The couture techniques employed by Fendi are highly advanced and expertly utilized by Jones. The drapery and swooping details in the designs are subtly inspired by an archival Karl Lagerfeld silk dress, paying homage to the classical statuary of Rome. Lace-edged silk bras and slips are layered under these garments, adding delicate constructs to the overall aesthetic.
The essay also notes the emergence of a 1930s influence in this season's couture shows, with Jones capturing the essence of the era through hammered-silk folds in a draped dress worn by Julia Nobis. The result is a subtle and beautiful ensemble that exudes casual elegance, making it a striking entrance for a woman who can afford Fendi's luxury offerings.
VALENTINOPierpaolo Piccioli's haute couture collection for Valentino and his intention to make social statements beyond fashion. The show was held at a famous Paris club, emphasizing inclusivity and reaching out to a wider audience, particularly young people.
Piccioli sees haute couture as a means of self-expression and freedom. He drew inspiration from clubs in the 1980s, known for generating fashion and embracing gender-fluid styles. He wanted to create a club for today, promoting inclusivity and the idea of being free to be oneself. He combined this concept with the codes of Mr. Valentino from the 1980s.
While the show maintained the formalities of haute couture with models walking on a runway, Piccioli infused pops of color, including the popular Pink PP, in ballgowns, coats, and lycra tights. The collection featured dark and sexy black transparent lingerie dresses and various designs that strategically exposed the body.
Piccioli showcased individualism through pelmet skirts, cutaway bodysuits with giant bows, dresses with cutout polkadot portholes, and the styling of white shirts and ties with micro-minis. The inclusion of men's suiting in haute couture was notable, with vibrant colors and coats embellished with metallic beaded embroidery.
The collection highlighted that beauty can be expressed and reinvented through clothing, encouraging personal choice and style. Interestingly, the homage to Valentino Garavani's classic draped couture from the 1980s garnered attention, with lavishly ruffled designs and big bows. However, Piccioli subverted the traditional canon by exposing half of the torso in a finale dress with a white flounce.
The essay concludes by questioning whether Valentino's daring designs will be embraced in clubs and on red carpets, suggesting that Piccioli's innovative approach may challenge conventions and push boundaries in the fashion world.
CHANELVirginie Viard's Chanel couture show, which took inspiration from Coco Chanel's apartment. The presence of a conceptual camel at the beginning of the show is explained by Coco Chanel's own camel model in her apartment. The creative director, Viard, collaborated with artist Xavier Veilhan to create a set featuring animal sculptures.
The collection showcased short and flared suits reminiscent of Chanel drum majorettes or circus ringmasters. The models walked among Veilhan's mobile animal sculptures, which included a horse, lion, deer, buffalo, bird, fish, dog, and elephant. However, Viard focused on creating relatable haute couture rather than pushing a concept over the clothes.
The show featured fresh interpretations of Chanel day suits, including gilded tweeds with shortened silhouettes, trapeze coats, box-pleated skirts, and a sugar-pink coat-dress. The eveningwear segment presented long and slim dresses in polka dots and black or white lace. Viard denied drawing inspiration from vintage Chanel collections, emphasizing her focus on designing a modern wardrobe for real women.
The finale revealed the bride emerging from an elephant, wearing a white dress adorned with embroidered doves and a white bow tie. This light-touch moment captured the overall spirit of the show, which aimed to be simple and charming.
Giambattista ValliGiambattista Valli's haute couture show and his aim to create a visual escape filled with pretty colors and optimism. Valli drew inspiration from Beverly Hills, resulting in an abundance of sugar pinks, pastel blues, and orange sorbet hues. The collection features airy gowns, voluminous opera coats, and elegant dresses, all suitable for events such as the awards season, the Met Gala, and weddings.
Valli's signature exuberant style is even more expansive and voluminous this season, incorporating trains, poufs, and bows. However, he also caters to the trend of new-nakedness, allowing women to show their legs and expose slices of their torso through cleverly draped designs. The collection offers a range of options for glamorous red carpet appearances, suitable for women of different ages. Valli's focus is on ensuring everyone feels happy and satisfied with his designs.
Ronald van der KempRonald van der Kemp's practice of upcycling and repurposing deadstock fabrics, showcasing how sustainable fashion can be as glamorous as traditional couture. Van der Kemp's approach, known as "Project Trashure," involves turning scraps of couture fabrics salvaged from trash into splendid dresses.
The event, labeled a happening rather than a show, began with guests entering through smoke, red lights, and disturbing sounds—a metaphor for the world's turmoil. Van der Kemp is passionate about raising awareness of the state of the planet and believes that fashion has the power to effect positive change. He emphasizes the responsibility of designers and couturiers to use their influence for the betterment of society.
For the Wardrobe 17 presentation, Van der Kemp gathered a group of individuals who share his values, and they showcased a collection entirely made from recycled or upcycled couture fabrics, lace, trimmings, ribbons, and leather scraps. The diverse cast of models included a human rights lawyer, a copywriter, a fashion journalist, and a retired businesswoman, highlighting Van der Kemp's focus on celebrating humanity.
Among the upcycled pieces, three looks stood out, featuring the Trashure Trove fabric—a project in which discarded silk, lamé, and leather scraps are rewoven into new textiles. These standout pieces included an asymmetrical minidress made from multicolored leather, a creatively constructed black leather jacket paired with embellished jeans, and an asymmetrical one-shouldered dress adorned with handcrafted mousseline flowers.
Van der Kemp believes that trash is the new gold, emphasizing the potential and value in repurposing discarded materials. His convincing message challenges the notion that sustainable fashion cannot be glamorous, offering a refreshing perspective on the intersection of sustainability and high fashion.
Haute Couture 2023 embodies the epitome of fashion and luxury, mesmerizing us with its unparalleled beauty, craftsmanship, and creative expression. It is a world where dreams take shape, where garments tell stories, and where the boundaries of imagination are pushed to new heights. As we bid adieu to Haute Couture 2023, we eagerly anticipate the next chapter in this captivating journey, where designers will continue to weave magic through their visionary creations, setting new standards for fashion and luxury.
As we come to the end of this post, we invite you to share your thoughts and experiences related to the Haute Couture 2023. Let's keep the conversation going in the comments section below. Stay curious and stay engaged!"
See y'all next week on the other side !!!!!!!!!!





















































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